the grand metaphor: every piece looks better because of the pieces that surround it.
Having made abstracts before I could define “abstract” (no art school), I think that I can be forgiven for creating backstories before I could conceive of the Grand Metaphor.
The Grand Metaphor connects the backstories
Friendship: Complicated. Sometimes Messy. Beautiful if you’re lucky gave me an excuse to make tiny, interconnected bands using both very sharp pencils and tiny brushes. Each of these bands looks better because of how it twines with its neighbors.
Puzzle Pieces covers a space with interconnected shapes that invite bright colors. Although they don’t touch one another, they are closely related.
Original nanoscapes were a jump-off point for a new watercolor painter. I saw my artist pals who could get the spirit of trees, flowers, and mountains with a few whooshes of watercolor and realized that I could never achieve anything resembling their work. I also realized that plein air (outdoor) painters had to share space with insects and humidity — two things that I have dedicated my life to avoiding. Turning indoors and turning inside, I found shapes and spaces and their connections at the tip of my pencils and brushes, and never looked back.
The Genus Papyrus, a group of mosaic creatures who answer the question “What do watercolor artists do with leftover paintings?” They cut them up and make mosaics. The Small Friends’ Research Institute supports research in the Genus Papyrus, and continues to look for good habitat for these creatures: 3 parrots, a hippo, a horse, a cat, and a pig. They are wonderful examples of The Grand Metaphor because each piece fits neatly next to its neighbors.
The Sail or The Unmade Bed celebrated the brightest colors that I could create with watercolor and challenges perspective. Note: achieve Bright Water colors with lots of pigment and not a lot of water. Thank you, Russ Dittmar, Watercolorist Extraordinaire.
Find the Owl is simply #artfun. Tiny connected shapes and spaces intertwine to create a whimsical boulder hiding an owl.
Orange Flying Crystal is part of a series of six crystal paintings. Inspired by quantity time spent looking at the ceiling at Dulles Airport, these paintings began as doodles and grew into flying crystals that look as if they are ready to leap off the page.
Painted Stained Glass answers a question that may have troubled you for years: what happens when triangles go wild? The menagerie (family) of stained glass creatures who have stopped by my studio to sit for portraits and tell stories includes: a camel, cats, elephants, flamingos, frogs, hippos, horses, kangaroos, LLLamas (their spelling), parrots, pigs, roosters, a seal, and a warthog.
Conversations Connections began as a doodle on a postcard. Several professional pals spent time on conference calls trying to figure out the best way to network our friend into a different job. She didn’t get the job, but I was inspired. One of many pieces that began with a General Pencil 6H drawing. What a pleasure it was to fill in the tiny rectangles and squares with watercolor. A tiny Micron pen (several) made the tiny lines around each piece.
Paper Mosaic came to me at a perfect time. When I turned 65 I abandoned all activity requiring safety equipment or liability waivers, thus, no tile cutting, no glass cutting, and no bungee jumping. Paper mosaic — creating tile from paper and acrylic paint and mediums — can be done by anyone at home. I taught the 2017 6th Grade Graduates of Alice Smith Elementary School to make paper mosaic. They made this one as a gift to the school and it hangs in the building.
Creatures with Antlers may have the longest backstory. The Pandas and Frogs from the Hidden Bamboo Forest of Saint Paul decided to expand the metaphorical footprint of The Forest to accommodate creatures from around the world who were being displaced by climate change. The “creatures with antlers” series was originally conceived as birds’ eye views of conclaves of creatures with antlers (including the Jackson’s Chameleon) who were strategizing about climate change. This story became much too complicated to tell all the time. I’ll get it into a book someday.
Big Neighborhoods are three 22×33 paintings that are joyously self-indulgent, and, perhaps the clearest example of The Grand Metaphor. Watercolor and more watercolor.
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In a perfect world, everything would be available with one click. I apologize. Contact me directly to talk about images that you like or ideas that you’d like to explore. For example, paper mosaics can cover a wall and The Sail can be 5-feet long. I look forward to hearing from you.