This found art turned up when I put things away after the Mystery of Cats Art Festival. I hadn’t seen it in two years, and its simplicity was striking. After having spent seven months creating intense and dense patterns for new cats, the plain shapes in this piece have an appeal. I painted in some blanks and now call it “possibly finished.”
With luck, I may create a really big (22×33) painting with solid shapes, one with a combination of patterned and solid shapes, and a few small pieces. I’d also like to make something like this in three dimensions. Creating a new dimension expands the meaning of “found art” and circles back to one of the goals that I set years ago as a protege in the WARM (Women’s Art Resource of Minnesota) mentor program: Work in 3D. (Note: WARM is going strong; the mentor program is on hiatus.)
Having been making paintings since 2009 and having limited ability to dispose of anything — I suspect that a serious sort-and-organize project will unearth plenty of found art possibilities.
As the 2019 Saint Paul Art Crawl approaches, my studio has been very very busy. Cats came and went. Cats came back. Cats lined up. Cats caterwauled. Cats waited patiently and impatiently for hair and makeup. They are looking forward to being at The Show Gallery in Lowertown.
Gray and White Cats for the Art Crawl*
The Gray and White Cats have waited very very patiently for some months as they haggled between themselves and with me (occasionally) about how their hair and makeup would work. We finally agreed on a mixture of acrylic paints, and acrylic mediums (Golden Clear Tar Gel).
Two Cats on Two Canvases for the Art Crawl*
These cats are Fraternal Twins who loved their many trips to hair, makeup, and wardrobe. In their minds, their costumes are covered with jewels and precious metals. Don’t confuse them with facts.
Congratulations to Big Red Rooster, whose image made him (and me, too) a District Winner in the 2019 Saint Paul Art Crawl. We will be at The Show Gallery Lowertown on April 26-28. Find Red’s portrait on page 11 of the Art Crawl Catalog.
Big Red Rooster leads the pack?
Big Red can’t really “lead the pack,” because there is no collective noun for rooster. What he does lead is a group of roosters and other creatures made from abstract paintings whose tiny designs were comforting to make at a time when a little bit of obsession seemed like a good idea.
Why is there no collective noun for roosters? Think about it. They don’t hang out together.
After painting sheet after sheet, I had an Artist Epiphany. I realized that no one — not even my Late Mother should she have come back to life — would have the slightest interest in buying these abstract paintings. Luckily for the Whimsical Wildlife Documentarian (me) I am surrounded by creatures, including roosters, who stepped up and said “Thank you for creating new body parts for us.”
Celebrate the magic of watercolor with Northstar Watermedia Society’s members. Artists’ Market runs from May 19-21 at the Fine Arts Building at the Minnesota State Fairgrounds. Every artist begins with a tube or a block of paint. Every artist’s work is different. Come to be astonished. Enjoy free parking.
Learn how to add this feature to your work. On Sunday May 21 at noon, I will be present a demonstration focused on this feature of Golden High Flow Acrylics, and showing off the powerful colors of this line. I will also (again) thank Bonnie Cutts, our Golden Brand Artist in Residence, who reassured me that the fern feet were an actual feature of this paint that I’d picked up from a discount table at Dick Blick. I thought I’d gotten a bad bottle.
Paper Mosaic: Not Ceramic
The other part of my Sunday demonstration will be a step-by-step guide to creating mosaics from paper that look like ceramic tile. In my demo kit: gesso, watercolor and acrylic paints and mediums, TerraSkin, Golden Self-Leveling Clear Gel, offset spatula, scissors, and a heavy dose of imagination.
Happy to announce that Celebration!, an original acrylic painting, will be in the 2016 Saint Paul Carnival Fire & Ice Show. Thus, I’m able to end the otherwise troubling and weird 2016 with good news and to begin 2017 with “Celebration!”
How was it made? How did this happen?
Thanks go to the Fabulous Bonnie Cutts, who confirmed that a-bought-from-a-sale-table bottle of Golden High Flow Acrylics really was supposed to make little fern fronds. Although the effect was cool, I’d never seen it before, and, typical of me, thought it might be defective. Not so. The fern-fronds are a signature of High Flow Acrylic.
I covered four 5×7 and one 12×16 boards with white gesso, and dropped High Flow colors while the gesso was still wet. Watching it make patterns was like watching a series of tiny miracles. No microscopes needed.
I waited until the gesso was dry, dabbed some Golden Glass Bead Gel onto the boards, and waited for that to dry. I covered each board with Golden Self-Leveling Clear Gel and let that dry. With my handy tube of that most superior of adhesives, E-6000, I glued the four small boards to the big one. The frame — shiny red, and who doesn’t love shiny red? — came from Goodwill as plain dark wood. It got serious sanding and lots of coats of Gloss Sunrise Red Rust-oleum. A pint of shiny red paint goes a long way. The large board, popped into the frame in reverse, is held by shiny red clips.
Fire & Ice: Opening Reception January 21, 6-10 pm
To cap a very busy day (this is the day of the Women’s March on Minnesota), the Winter Carnival Art Show Opening Reception will be at the AZ Gallery, Saturday January 21 from 6 to 10 pm. Join us!
Held each year at the Minnesota State Fair’s Fine Arts Building with convenient and free parking, this is a two-day deep dive into the variety of artwork that comes from just watercolor.
Each artist begins with a tube (or a cake or a bottle) of paint. Every artist’s work is different from every other. The show is an astonishing display of creativity and imagination. The range of work from very detailed to exuberantly abstract, will take your breath away. I promise.
Dear friends and fans: The Lost Cave Paintings of Saint Paul were more or less born in a magical moment at this event in 2012, when I saw Paul Boecher demonstrating gesso on board and paper. I looked at his work, my brain said “cave walls,” and the rest is prehistoric history.
My work for Artists’ Market: all about connections
My plan is to bring a series of abstracts including the original Big Neighborhoods 2, pieces from the series “Friendship: Complicated. Sometimes Messy. Beautiful if you’re lucky,” and some new paper mosaic magnets and frames made in the spirit of the critical importance of connections and links.
There was a holly tree outside the kitchen window in my first “running away from home” apartment. It was tall and wide — kind of dumpy, actually. Bright and green all winter long, it was a high point in an otherwise dreary Washington DC metro winter. Its berries were beautiful. Red and redder than red.
This Holly Tree
I hadn’t thought about that tree for years until This Holly Treeemerged from a stack of “gotta finish this” paintings on my easel. What was left to do? Add the red berries. Done.
Life in the Holly Tree apartment was more or less carefree (except for the general angst of 20-year-olds, my parents’ consternation at this unconventional (gasp!) living situation, my then-boyfriend’s draft status, and my stolen VW Bug.) This Holly Treechannels the memory, employs one of my favorite nanoscapes designs (tiny random shapes), and makes a shameless pitch for a skinny space on the wall. The original is for sale (5×15″ matted to 8.5×20″, $100) at the Vine Arts Holiday Sale (December 6, 12-5), and from me directly, thereafter. I will have prints, matted to 11×14 for $30 each.
Tiny random shapes on TerraSkin™
Each tiny random shapes piece begins with a very sharp General Pencil (6H) and a deep breath. Sometimes I make them in an order (spirals, straight lines) and sometimes their order is random. I drew This Holly Tree on the most wonderful paper called TerraSkin™ which I buy in sheets from Wet Paint in Saint Paul. TerraSkin™ is a tree-free paper made of 75% calcium carbonate and 24% binder. The combination makes a paper that is very smooth and buttery. Watercolor puddles and dries, making almost translucent color. Because the paint isn’t absorbed (it sits on top of the paper), watercolor paintings need archival spray for protection.
Six WARM members welcome you to a Hot Pop-Up today and tomorrow at #155 Northrup King Building (free parking!) We are Mary Alterman, Susan Gainen, Linda Seebauer Hansen, Vanessa Merry, Catherine A. Palmer, and Heather Tinkham.
In addition to seeing our art, one more reason to visit the WARM Hot Pop-up with 6 Artists is the Judith Olney Joy of Chocolate Pound Cake on the snacks table. This is the chocolate pound cake that every other pound cake wants to be. I have made two cakes, one for each day (Friday November 20, noon – 6 and Saturday November 21, 10-5).
I have two copies (at least two copies) of this book. My first (for reading only, no baking) copy has the chocolate cabbage on the front. Yes, this book has the recipe and directions for making the chocolate cabbage. There was a when I might have tried this. Now, I’d rather be painting.
Join us for art, great conversation & chocolate cake!
Sometimes when I’m crazy-busy, I need a project that calls on a different part of my brain than the one that lets me make making tiny triangles for painted stained glass or tiny random shapes, another of my favorite images.
Having often sorted through kitchen tools in search of art-making objects, it was easy to spot a map of Minnesota cookie cutter that had been sitting on top of my stove for 14 years. “Pick me!! Pick me!!” it shouted.